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He and his thanes climb to the dragon's lair where, upon seeing the beast, the thanes flee in terror, leaving only Wiglaf to battle at Beowulf's side.
When the dragon wounds Beowulf fatally, Wiglaf slays it. This depiction indicates the growing importance and stabilization of the modern concept of the dragon within European mythology.
Beowulf is the first piece of English literature to present a dragon-slayer. Although many motifs common to the Beowulf dragon existed in the Scandinavian and Germanic literature, the Beowulf poet was the first to combine features and present a distinctive fire-breathing dragon.
The Beowulf dragon was later copied in literature with similar themes such as J. Tolkien 's The Hobbit , one of the forerunners of modern high fantasy.
The dragon fight, occurring at the end of the poem, is foreshadowed in earlier scenes. The dragon fight symbolizes Beowulf's stand against evil and destruction, and, as the hero, he knows that failure will bring destruction to his people after many years of peace.
The dragon himself acts as a mock "gold-king"; one who sees attacking Beowulf's kingdom as suitable retribution for the theft of just a single cup.
After his battles against Grendel's mother and Grendel , Beowulf returns home and becomes king of the Geats. Fifty years pass with Beowulf in charge, when a local dragon is angered when a slave enters its lair and takes a cup from its treasure.
The creature attacks the neighboring towns in revenge. Beowulf and a troop of men leave to find the dragon's lair. Beowulf tells his men to stay outside, that this fight is his alone, but the dragon proves too strong and mortally wounds Beowulf.
Meanwhile, his kinsman Wiglaf scolds the other members of the troop for not going in to help, before coming to Beowulf's aid.
He cuts the dragon in the belly to reduce the flames, and Beowulf deals the fatal blow. In his death-speech, Beowulf nominates Wiglaf as his heir and asks for a monument to be built for him on the shoreline.
Beowulf is the oldest extant heroic poem in English literature and the first to present a dragon slayer. The legend of the dragon-slayer already existed in Norse sagas such as the tale of Sigurd and Fafnir , and the Beowulf poet incorporates motifs and themes common to dragon-lore in the poem.
The dragon with his hoard is a common motif in early Germanic literature with the story existing to varying extents in the Norse sagas, but it is most notable in the Völsunga saga and in Beowulf.
Beowulf is a hero who previously killed two monsters. The scene includes extended flashbacks to the Geatish-Swedish wars, a detailed description of the dragon and the dragon-hoard, and ends with intricate funerary imagery.
Beowulf scholar J. Tolkien considered the dragon in Beowulf to be one of only two real dragons in northern European literature, writing of it, "dragons, real dragons, essential both to the machinery and the ideas of a poem or tale, are actually rare.
In northern literature there are only two that are significant Tolkien expands on Beowulf' s dragon in his own fiction, which indicates the lasting impact of the Beowulf poem.
The dragon fight ends Beowulf , while Tolkien uses the dragon motif and the dragon's love for treasure to trigger a chain of events in The Hobbit.
The Beowulf dragon is the earliest example in literature of the typical European dragon and first incidence of a fire-breathing dragon.
The fire is likely symbolic of the hellfire of the devil , reminiscent of the monster in the Book of Job. In the Septuagint , Job 's monster is characterized as a draco , and identified with the devil.
A study of German and Norse texts reveals three typical narratives for the dragonslayer: a fight for the treasure, a battle to save the slayer's people, or a fight to free a woman.
The third act of the poem differs from the first two. The dragon, therefore, is a stark contrast to the other two antagonists.
Beowulf's fight with the dragon has been described variously as an act of either altruism  or recklessness.
The dragon fight is foreshadowed with earlier events: Scyld Shefing 's funeral and Sigmund's death by dragon, as recounted by a bard in Hrothgar's hall.
Beowulf scholar Alexander writes that the dragon fight likely signifies Beowulf's and by extension, society's battle against evil.
Beowulf's eventual death from the dragon presages "warfare, death, and darkness" for his Geats. His imagined elegy foreshadows Beowulf's death and elegy to come.
At his death, peace in his lands will end, and his people will again suffer a period of war and hardship. Wiglaf remains loyal to his king and stays to confront the dragon.
The parallel in the story lies with the similarity to Beowulf's hero Sigemund and his companion: Wiglaf is a younger companion to Beowulf and, in his courage, shows himself to be Beowulf's successor.
The dragon battle is structured in thirds: the preparation for the battle, the events prior to the battle, and the battle itself.
Wiglaf kills the dragon halfway through the scene, Beowulf's death occurs "after two-thirds" of the scene,  and the dragon attacks Beowulf three times.
In , William Witherle Lawrence argued in his article "The Dragon and His Lair in Beowulf " that the fight between Beowulf and the dragon tends to receive less critical attention than other portions of the poem, commenting that "Grendel and his dam have, as it were, become more beloved of the commentators".
Not that it refused to fight when challenged, but that it did not seek out Beowulf or anyone else. It left Beowulf to do the seeking out".
The stories, moreover, are often attached to real persons and localized precisely in time and place. The habit is so well known that examples are superfluous".
Ker criticized the inclusion of Beowulf's fight with the dragon and his subsequent death in the poem, writing "It is as if to the end of the Odyssey there had been added some later books telling in full of the old age of Odysseus , far from the sea, and his death at the hands of Telegonus ".
Tolkien noted that the dragon and Grendel are "constantly referred to in language which is meant to recall the powers of darkness which Christian men felt themselves to be encompassed.
They are 'inmates of hell', 'adversaries of God', 'offspring of Cain', 'enemies of mankind' And so Beowulf, for all that he moves in the world of the primitive Heroic Age of the Germans, nevertheless is almost a Christian knight".
Peter Gainsford noted in the article "The Deaths of Beowulf and Odysseus: Narrative Time and Mythological Tale Types" that "In the twenty-first century Beowulf does not lack for commentators to defend the literary merit of the dragon episode".
Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his " chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness.
Dickerson and O'Hara further elaborated that through its dragon, Beowulf turned the "notion of having a monstrous evil and not mere human foes as the enemy" into "a hallmark of modern fantasy" present in C.
Lewis ' Narnia books, Ursula K. Tolkien used the dragon story of Beowulf as a template for Smaug of The Hobbit ; in each case, the dragon awakens upon the hoard being disturbed by one stealing a chalice and goes into a wrathful rampage until slain by another person.
Rowling was influenced by the confrontation between the dragon and the title character in Beowulf.
From Wikipedia, the free encyclopedia. Redirected from The Dragon Beowulf. To attach to the mind of your child the importance of using our abilities to serve others, you can build and decorate a toy castle.
Then you can enclose several dolls in the castle. Whenever your child use her skills to do something good, you can release one of the dolls to let her feel the joy of doing good.
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Values Cleverness. Main Lesson Quick thinking is the best weapon of all, and should always be used in preference to violence.
Setting A huge cave inside a mountain. Characters A boy and a dragon. Other Langs. Edward and the Dragon Get these stories. Click a language to watch it as an animated story Spanish English.
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Buildings are special items that perform various functions in Dragon Story , including housing, feeding, and playing with them. Decorations, or simply Decor, are either basic or premium items that are placed in the dragon park and serve no functional purpose.
Expansion is the ability of players to add more land to their park. When the park expands, the newly annexed land is filled with obstacles that have to be cleared before the land is usable.
These dragons are well known for their abilities and behavior. Here is a list of some of dragons that have been reportedly considered important for a player:.
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Tolkien used the dragon story of Beowulf as a template for Smaug of The Hobbit ; in each case, the dragon awakens upon the hoard being disturbed by one stealing a chalice and goes into a wrathful rampage until slain by another person.
Rowling was influenced by the confrontation between the dragon and the title character in Beowulf. From Wikipedia, the free encyclopedia.
Redirected from The Dragon Beowulf. See also: European dragon. Main article: Beowulf: The Monsters and the Critics.
Poetry Criticism , vol. Abstract from Neophilologus. Springer Netherlands. The Journal of English and Germanic Philology.
Macmillan Publishers Limited. Retrieved September 18, Cambridge University Press. Classica et Mediaevalia vol.
Museum Tusculanum Press. Interpretations of Beowulf: A Critical Anthology. Indiana University Press.
The New York Review of Books. Retrieved September 17, The Atlantic. The New Yorker. Brazos Press. National Endowment for the Humanities.
Alexander, Michael . Beowulf: a verse translation ed. London: Penguin. Retrieved Clark, George .
In Bjork, Robert E. A Beowulf Handbook. University of Nebraska Press. Crossley-Holland, Kevin O'Donohue, Heather ed.
Beowulf: The fight at Finnsburh. Oxford University Press. Evans, Jonathan . In Clark, George; Timmons, Daniel eds. Tolkien and his literary resonances: views of Middle-earth.
Greenwood Press. Heaney, Seamus Beowulf: A New Verse Translation. Seamus Heaney beowulf. Rauer, Christine Beowulf and the Dragon: Parallels and Analogues.
Cambridge: Brewer. Tolkien, J. Sir Israel Gollancz Lecture Archived from the original on 3 November Retrieved 19 May The dragon Beowulf.
Michael J. Alexander Nora K. Chadwick P. Grendel Eaters of the Dead. Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file.
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